And the Results are in…..Autumn, Then Winter Haiku Contest

First, an apology for those of you who may have checked out this blog several times today looking for results. I am sorry for not keeping my promise. The cynical may view it as a plot to up my blog hits for the day ;)

At any rate, at long last the results are here!

And, dear reader, if you live in the United States, I hope that you had a wonderful Thanksgiving Day and were able to enjoy some good food, some better fellowship, and to be able to take a moment to be thankful for the blessings in your life (which we can do no matter where we live). In fact, I need to take some do that right now! Amongst too many things to mention (I am a very blessed man), I am thankful for you, my readers, who encourage me to keep honing away on various avenues of creativity.

A Time for Seeing – America’s Heartland Remembers – Art Hill 9/11 Memorial – Forest Park, St. Louis

On Sunday, I wrote a sister piece to this post about simply being at the St. Louis 9/11 memorial, and the importance for me to not take photos on that day.

Today, I visited with my camera and some of the same thoughts went through my head as on Sunday. And yet, even so, I hope these photos let you experience this memorial a little yourself, to see both the scope and intimacy of this installation and the care with which it was both erected and is being visited. Even on this rainy Wednesday evening, there were visitors–a man in a business suit, a couple, a family. May God continue to bless and heal the families who lost loved ones on that day.

The memorial is scheduled to remain up until September 18th.

Seeing and Being – Setting Down the Camera on 9/11 – America’s Heartland Remembers – Forest Park, St. Louis

On Thursday night in Forest Park, walking a favorite path and looking at hundreds of yellow flowers to find the perfect shot, I walked into a pocket of cool air and for a few seconds forgot about photography. I felt the evening instead of simply seeing it; I saw the glory of the flowers dancing in the wind; I felt as if I were a part of it myself, like Adam walking in Eden. I had moved from seeing into simply being for a few short seconds, and then out again to resume my photo jaunt.

Today, more purposefully I chose to simply “be” as I took my camera, which had been on the seat beside me as I drove through a park full of cars moving with a noticeable dearth of noisy radios and the normal pressing to be first, and put it into the camera bag and into the trunk. In so doing, I knew I was missing a host of great photo opportunities, as the sun was dipping down behind the western edge of Art Hill and the golden hour of evening was commencing, when sunlight like liquid gold would be pouring down the hillside. I walked to the Grand Basin and up the hill and amongst the nearly 3000 flags, each labeled with name of someone who had perished 10 years ago on September 11th, in the memorial America’s Heartland Remembers.

It is an amazing thing to see 3000 flags, and others have done the important and worthy task of capturing the moment well for others to see. I personally chose to eschew my camera for the day, though, because I needed to try to feel the magnitude of that day in a way that I had not done before. Grief is many things, and one of them is selfish. Ten years ago, reeling from a difficult break-up, I watched and reacted and talked along with others during those days, and yet my heart was mainly attendant upon my own pain. And, so, today I was not going to again simply serve myself and angle for the good shots, a task that is oftentimes such a mix of creativity, service, need for affirmation, and pride for me.

And there upon each flag pole was a sticker with the name and age and hometown of a person who had died, and, yes, often a photograph. And even in those tiny centimeter by centimeter grainy square images, I was briefly reminded of the good work a camera may accomplish, often even in spite of the skill of the person who wields it.

I think it was the ages that struck me first, how so many were about my age, in their late 30s or 40s. And, then, it became clear that in some cases entire companies had been destroyed, entire workplaces with office politics and camaraderie and hard work, gone. Finally, it became abundantly clear, that the victims truly represented the vibrant diversity of America, even in their deaths as they did in their life, with people from every ethnic group, with financial workers and waitresses, firemen and soldiers. And that very American-ness was striking to me too. In over 20 minutes of walking, I found the names of only two individuals from other countries. I am sure all the victims were represented by the organizers, but what should have been rather obvious to me was driven home even in my admittedly brief, unscientific survey.

It should be noted that all the flags were American flags, and I do not know whether this was done for logistical purposes or aesthetic or patriotic reasons, though I suspect it was largely the latter two. And, yet, perhaps it was oddly fitting in as much as every baby which gasps its first breath on these shores, no matter from which corner of the earth their parents hail, has the right to take up our citizenship if they so desire. So, perhaps, in this grand symbol of remembering the day, the non-American dead of 9/11 may be content to fly the flag of the country into whose soil their blood, too, was spilled.

Finally, grief remains a personal thing. We may find catharsis in gatherings. We may feel the comfort of friends. And, yet, I will not presume to know the pain of each of the families and individuals who still, ten years on, are invisibly tethered to those flag posts. But today it was enough to stay the hungry, restlessness of my photographic eye, to touch some of those 3000 posts and to “be” together along with that multitude of mourners, along with a nation.

a man in darkness – a poem for Mohamed Bouazizi, Tunisia, Egypt and Tahrir square

a man in darkness
burns out his life, touching fire
to a firmament

Please Remember the Pakistani Flood Victims

Please watch this video from the PBS NewsHour.

100,000 square kilometers flooded. 30,000 kilometers of roads flooded. 9 million acres of crops flooded. 21,000,000 people effected. 150 new villages flooded as water shifts.

This is why we are doing Artists for Pakistan and why in addition to that small effort people need to pay attention to this story. Please keep this story in your mind and give wherever you can. And pray for the people of Pakistan.

Helping Your Neighbor, Loving Your Enemies – Pakistan Flood Relief

When the Haiti earthquake occurred, the response in our country was immediate and overwhelming, and with good reason, as so many people lost their lives. The needs continue to be great and help should continue to flow.

The response to the Pakistani flooding, though, in both dollars and attention, seems to be muted in comparison. Perhaps this is so because not as many folk immediately lost their lives, though 1600 have done so already. Perhaps it is because the flooding, which covers an area the size of England and has displaced 20 million people, is on the other side of the world. Perhaps it is because some may view the people in Pakistan, particularly this region of Pakistan, as their enemies.

By way of laying my cards on the table, I am both half-Pakistani and a Christian, one who seeks (falteringly at best) to both care for the poor and dispossessed and to love my enemies. So, I have good reasons to help Pakistanis, people with whom I share blood kinship and whom God commands me to love.

Furthermore, I am an American, a member of a country that is hated by many in Pakistan, and this grieves me a great deal. Without sorting out blame from a very complex history, wouldn’t it be wonderful to see more U.S. military war planes delivering food and supplies with a message “From the people of the United States” emblazoned on the sides of boxes and bags, delivered by the hands of men and women from our country. See Secretary of State Hillary Clinton’s plea here.

If you are motivated to help, please text one of the numbers either above or below, or check out the guide I have created for my work which provides more information and opportunities to give.

To explain a little more about the phrase “loving your enemies,” clearly many people in Pakistan and America do not regard each other as such, but many in both countries do. Pakistani rocker, Salman Ahmad, who tries to fight extremism through music, describes the problem in a BBC article this way:

Speaking from New York, he told BBC World Service that he realised that people in the West were hesitant about helping, asking why they should care for a country associated with extremism.

“[But] there are 100 million-plus young people under the age of 25 who can go two possible ways into the future,” he said.

“They can follow their dreams or they can give in to the extremists and the Taliban who want them to go blow themselves up.

“If they feel that the world cares for them, you may change the destiny of Pakistan. Not only is it humane but it is urgent self-interest – this is a moment to win hearts and minds.”

Finally, if you are moved to help with the flooding in Pakistan, please consider either linking to this post or writing a similar post of your own. Please feel free to use any of the images from this post, which have been synthesized from images gleaned from news sites.

A Passage to America

In preparing for a non-western literature class which I teach, I read a short essay by the Indian writer R. K. Narayan. It was about a visit he had made to America and the situation of Indian immigrants in this society. This last paragraph struck me as something of an indictment of our culture and, more pointedly, of how the church is not really distinct from it at all. This essay was written in 1985. I think in some ways our cultural life in America has become more holistic and multi-cultural since that time, but at the same time consistently more and more materialistic as well, a strange combination. I am not saying I agree with all that follows, and perhaps it paints with a bit of a broad brush, but it does provide some food for thought. Here is Narayan:
“Ultimately, America and India are profoundly different in attitude and philosophy, though it would be wonderful if they could complement each other’s values. Indian philosophy stresses austerity and unencumbered, uncomplicated day-to-day living. America’s emphasis, on the other hand, is on material acquisition and the limitless pursuit of prosperity. From childhood an Indian is brought up on the notion that austerity and a contended life are good; a certain otherworldliness is inculcated through a grandmother’s tales, the discourses at the temple hall, and moral books. The American temperament, on the contrary, is pragmatic. The American has a robust indifference to eternity. “Attend church on Sunday and listen to the sermon, but don’t bother about the future,” he seems to say. Also, he seems to echo Omar Khayyam’s philosophy: “Dead yesterday and unborn tomorrow, why fret about them if today be sweet?” He works hard and earnestly, acquires wealth and enjoys life. He has no time to worry about the afterlife, only taking care to draw up a proper will and trusting the funeral home to take care of the rest. The Indian in America who is not able to live wholeheartedly on this basis finds himself in a halfway house; he is unable to overcome his conflicts while physically flourishing on American soil. One may hope that the next generation of American-grown Indians will do better by accepting the American climate spontaneously or, alternatively, returning to India to a live a different life.”
Those are interesting choices that Narayan offers at the end of that paragraph. Are there any others? This all reminded me a great deal of the movie The Namesake. Also, do you think Narayan is right about Americans? “The American has a robust indifference to eternity.” Wow.

Objectification or Empowerment?

haifa.bmp
I just read this story from BBC News which seems to me to represent in microcosm several things:
1) It seems like this echoes discussions that the United States had many years ago. And the answers that our culture came up with surely, surely shape, no perhaps even created, this very conversation in the Middle East.
2) Rightly or wrongly, this influence of the West is one of issues that is at the root of the Islamic terrorism.
So, is this objectification or empowerment or both? Do Muslims have any justification in being angry at the West for such cultural influences? Are concepts such as propriety and modest hopelessly culturally relative or at least always culturally situated?
Lots of questions. I don’t have many firm answers. I do know that in cultures where there is not much overt suggestive material, such as in Pakistan where I grew up, even a little bit of suggestion can have a powerful effect. Should this be the norm/ideal? Alternately, is a more European view of nudity and the body, etc. appropriate and even healthy? What does Christianity inform us to do? Is its message different for different cultures?
Oh, and for reference, here are some Youtube videos of several of the performers mentioned in the BBC article. Pretty tame by today’s Western standards; way out there by Islamic standards, though perhaps not by pre-Islamic Middle Eastern standards, because there is the traditional belly dance after all. In the selections below, Nancy is a little more traditional, in her first video at least. Haifa? Well, she could give Shakira a run for her money.
Haifa Wehbe
Nancy Ajram
Nancy Ajram