Going to photograph this bed of tulips I had seen earlier in the day, I noticed that many of the delicate tulip blossoms had been battered by the rain — some were broken, others laid down, still others were cradled against one another. I could not help but draw an emotional correlation with some scenes from the tragic bombings in Boston just a day earlier. And yet the flowers, broken and beaten down though they were, were still imbued with beauty and dignity–infinitely more so the wounded and mourning in Boston. May God bless and keep you and all who mourn throughout the world.
Tag Archives: grief
tasking satellites – Haiku in Symmetry – Google mapping the past
tasking satellites
i trace these grainy roads to
find my push-pinned heart
__________
in a grainy field
by a church, graves like pixels
tasking satellites
The Theme of Grief in Terrence Malick’s Tree of Life – An Essay in Catapult Magazine – The Book of Job and the Tree of Life
The still above is from one of my favorite shots from a movie packed with hundreds of stunning shots. In the most recent issue of Catapult Magazine entitled “The Dying of the Light,” I present a piece touching on the theme of grief in Terrence Malick’s movie The Tree of Life. It is more of an essay than a review. If you have not seen the film, this piece could serve as a useful guide to help you navigate its beautiful but challenging waters or else it might serve as a prompt for post-viewing reflection.
Sorrow in 17 Syllables – A Year’s Haiku from The Dassler Effect on Grief – In Catapult Magazine
Dear readers,
Thank you for your patience with a spate of posts on grief. Perhaps that is not what you expect from The Dassler Effect. I cannot promise that this is the absolute end of such posts–I am a melancholy fellow–but as the first anniversary of my father’s death passes, they will certainly not be so concentrated.
I was quite surprised by this collection myself, though, as I went through the blog over the last year to find these. If not a exactly a narrative, some thematic threads do seem to pop out of these disparate vignettes–weather, light and dark. I should also note that the bookend pieces on the November 7ths were deliberately created for this piece, the remainder were more organically produced as the reflections of feelings on the day they were written.
The piece is in the gallery of the most recent issue of Catapult Magazine entitled “The Dying of the Light.”
A house of mourning – A Haiku on Ecclesiastes – Poetry on Grief
A house of mourning
Or of mirth? Enter both. It
Will be the same door.
____________________
I am putting together a collection of haiku from the blog about grieving for my father for an upcoming issue of Catapult. I needed one more, penned on this day one year after my father passed away, to complete the piece which will appear on Friday. But needing to or wanting to produce a haiku does not usually work well for me–usually, either an image will present itself or else a short phrase, which I will then shuffle around in my mind or on a piece of paper until something satisfactory appears.
Nonetheless, I am pleased with this rather less visceral, less personal, but more philosophical piece about how to live together with one another through life and death. Indeed, it reminds me of a Punjabi proverb that Dad, himself, would often remind us about which says that it is better, if one must miss either, to be with a family in sorrow than in celebration, at their funerals rather than than at their wedding celebrations, which is perhaps itself an echo of a far more ancient bit of wisdom literature.
It is better to go to the house of mourning, than to go to the house of feasting: for that is the end of all men; and the living will lay it to his heart.
Sorrow is better than laughter: for by the sadness of the countenance the heart is made better.
The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth.
-Ecclesiastes 7:2-4
The concern of the Preacher of Ecclesiastes is more existential; the Punjabi proverb’s more social. I hope my half-wise “piece of wisdom literature” splits the difference. I am thankful to be amongst family and friends who have taken this to heart–who are there for one another in rejoicing and in sorrow, and in the mundane times in between.
Seeing and Being – Setting Down the Camera on 9/11 – America’s Heartland Remembers – Forest Park, St. Louis
On Thursday night in Forest Park, walking a favorite path and looking at hundreds of yellow flowers to find the perfect shot, I walked into a pocket of cool air and for a few seconds forgot about photography. I felt the evening instead of simply seeing it; I saw the glory of the flowers dancing in the wind; I felt as if I were a part of it myself, like Adam walking in Eden. I had moved from seeing into simply being for a few short seconds, and then out again to resume my photo jaunt.
Today, more purposefully I chose to simply “be” as I took my camera, which had been on the seat beside me as I drove through a park full of cars moving with a noticeable dearth of noisy radios and the normal pressing to be first, and put it into the camera bag and into the trunk. In so doing, I knew I was missing a host of great photo opportunities, as the sun was dipping down behind the western edge of Art Hill and the golden hour of evening was commencing, when sunlight like liquid gold would be pouring down the hillside. I walked to the Grand Basin and up the hill and amongst the nearly 3000 flags, each labeled with name of someone who had perished 10 years ago on September 11th, in the memorial America’s Heartland Remembers.
It is an amazing thing to see 3000 flags, and others have done the important and worthy task of capturing the moment well for others to see. I personally chose to eschew my camera for the day, though, because I needed to try to feel the magnitude of that day in a way that I had not done before. Grief is many things, and one of them is selfish. Ten years ago, reeling from a difficult break-up, I watched and reacted and talked along with others during those days, and yet my heart was mainly attendant upon my own pain. And, so, today I was not going to again simply serve myself and angle for the good shots, a task that is oftentimes such a mix of creativity, service, need for affirmation, and pride for me.
And there upon each flag pole was a sticker with the name and age and hometown of a person who had died, and, yes, often a photograph. And even in those tiny centimeter by centimeter grainy square images, I was briefly reminded of the good work a camera may accomplish, often even in spite of the skill of the person who wields it.
I think it was the ages that struck me first, how so many were about my age, in their late 30s or 40s. And, then, it became clear that in some cases entire companies had been destroyed, entire workplaces with office politics and camaraderie and hard work, gone. Finally, it became abundantly clear, that the victims truly represented the vibrant diversity of America, even in their deaths as they did in their life, with people from every ethnic group, with financial workers and waitresses, firemen and soldiers. And that very American-ness was striking to me too. In over 20 minutes of walking, I found the names of only two individuals from other countries. I am sure all the victims were represented by the organizers, but what should have been rather obvious to me was driven home even in my admittedly brief, unscientific survey.
It should be noted that all the flags were American flags, and I do not know whether this was done for logistical purposes or aesthetic or patriotic reasons, though I suspect it was largely the latter two. And, yet, perhaps it was oddly fitting in as much as every baby which gasps its first breath on these shores, no matter from which corner of the earth their parents hail, has the right to take up our citizenship if they so desire. So, perhaps, in this grand symbol of remembering the day, the non-American dead of 9/11 may be content to fly the flag of the country into whose soil their blood, too, was spilled.
Finally, grief remains a personal thing. We may find catharsis in gatherings. We may feel the comfort of friends. And, yet, I will not presume to know the pain of each of the families and individuals who still, ten years on, are invisibly tethered to those flag posts. But today it was enough to stay the hungry, restlessness of my photographic eye, to touch some of those 3000 posts and to “be” together along with that multitude of mourners, along with a nation.
“the dream, the sort you” – Haiku on grief
the dream, the sort you
claw to stay asleep — you, sick;
me, your care to keep
“at aldis i feel” and “at home i shift some” – Haiku – Senryu
at aldis i feel
you amidst the aisles, amazed
at all the bargains
at home i shift some
cans you bought and smile to reap
this happy harvest
“you in your boxers” and “in summers, eating” – Summer Haiku – Eating Melons
you in your boxers
and banyan*, eating melon;
curved rind like your smile
___________
in summers, eating
melons with you; cool like an
evening in eden
*a punjabi word for an a-shirt
remembering rains – three haiku
we always had two
minds on rain; its lovely greys,
its melancholy
in the chair asleep,
the afghan nestling legs that
always found the breeze
we take lunch and tea,
the rain still falling; your smile
to me like sunshine















